I have the pleasure of having Lisa. M. Collins on my blog to answer a few questions. Lisa is a talented author (and an amazing friend!) and I'm happy to have her here to talk about writing and her new novella, The House Bast Made: Reid Cannon Archaeologist.
You can buy her new novella here.
So without further ado... here's Lisa!
What’s your new book about?
The book is novella length. The House Bast Made is an adventure where a young archaeologist, Reid Cannon, learns myths need not be fairytales. The story is set on a dig near the Valley of the Kings in Egypt.
Do you write for a set time every day or aim for a certain number of words each day or do something else?
I work a 40hr a week job. Often I can find time on my breaks or at lunch to jot a few words down, but those times aren’t really productive. I hit my stride around 5pm-8pm, and if it wasn’t for the pesky commute I do at 5:30-6:30ish that would be my ideal time to get my word count. For now I write after my shift while waiting to be picked up, after dinner while I’m hanging out with my family, and on the weekends.
Do you outline or just run with an idea?
Oh, Lordy, you really want to know about my process? LOL. OK.
For shorter works like 1,000-8,000 words, I pretty much fly by the seat of my pants. My imagination works much like watching a movie—I can see the cuts and the action, and all I have to do is add the dialogue. Now for works that are longer I usually make notes and do a bit of research. I very rarely outline or do story boards, but I think that may change in the near future.
I recently read Rachel Aaron’s book: 2k to 10k: Writing Faster, Writing Better, and Writing More of What You Love. Rachel has so many great ideas to get you productive. I decided that I would take her advice on my next long format novel. Who knows this could be the end of my footloose and fancy free days!
What was the hardest thing about writing your newest work?
I have a deep and abiding love Egyptology and specifically the Valley of the Kings. When dealing with a large pantheon of gods and goddess you have to keep your stuff straight. Each of them has a unique personality leading them to actions. Keeping the good guys and the bad guys batting on the right team took a bit of notes.
What are you currently reading?
The Atlantis Gene by A.G. Riddle.
What is your favorite piece of writing advice?
First drafts are where the writing happens, but editing is where the authoring happens.
So many writers think each word perfect must be perfect, editing as they go. The problem is nothing is ever perfect, even in Pulitzers you will find grammar errors or misused wording. What is the difference between a writer and an author? Authors finish. Churn out that first draft, don’t worry, no one has to read it but you. Editing is where the magic happens.
How can readers discover more about you and your work?
And at the Tea and Cornbread blog
“I love Southern charm and food. I think everyone should get a taste of what we have cooking down here in the South…and not just in our skillets, but what we have cooking in our industry and our general Faulkneresque attitudes about life, liberty, the Oxford comma, and pursuit of happiness.” – Lisa M. Collins aka Tea and Cornbread
More from Lisa:
You can buy The House Bast Made: Reid Cannon Archaeologist here.
Lisa M. Collins has always been interested in Outer Space, Adventure stories, and Southern culture. She was born in Dixie and has always lived south of the Mason Dixon Line. She graduated from the University of Arkansas with a bachelor’s degree in history with specializations in American and Russian history. Lisa lives in central Arkansas with her husband and an adorable cat, Baby Girl, who believes she is Lisa’s co-author. Lisa has one adult son who is married to his high school sweetheart.
Lisa’s non-fiction has been published in the Arkansas Democrat-Gazette and the Dead Mule School of Southern Literature. . She copy edited and researched on Understanding Global Slavery by University of California Press. Her science fiction story, The Tree of Life, is in the 2013-2014 anthology by Holdfast Magazine. These days she edits for Metahuman Press, and is an upcoming creative contributor with Pro Se Productions and Mechanoid Press. She is a Sally A. Williams Grant winner from the Arkansas Arts Council for writing.